Following the monster success of Highways and Heartaches (platinum sales, 3 #1s and a #2), Ricky Skaggs issued Don’t Cheat In Our Hometown on Epic Records in 1983. It was his second consecutive number one album and featured 3 number one hits and sold a respectable 500,000 copies.
The mid-tempo title track, made famous by the Stanley Brothers, was written by Ray Pennington and Roy E Marcum and became Skaggs’ seventh number one overall. The twangy ballad is stellar warning from a man to the woman sleeping around behind his back:
How can I stand up to my friends and look ‘em in the eye
Admit the question that I know would be nothing but lies
You spend all your past time, making me a clown
But if you’re gonna cheat on me, don’t cheat in our hometown
Much like Sawyer Brown’s “All These Years,” “Don’t Cheat In Our Hometown” offers a unique perspective on the classic cheating scenario, one in which the man is made into the fool. The role reversal is excellent and Skaggs brings that sense of victimization to his venerable vocal.
A spirited and comical cover of Mel Tillis’ “Honey (Won’t You Open That Door)” was released in the winter of 1984. Driven by a jaunty drum and organic guitar riffs, “Honey” is one of my favorites of Skaggs’ recordings thanks in part to the songs’ ability not to take itself too seriously while dealing with substantive subject matter.
It seems like another dimension now, but there was a time when a track like Bill Monroe’s marvelous “Uncle Pen” could not only gain the attention of country radio but top the charts as well. Another favorite of mine, “Uncle Pen” is brilliant in how it blends an obvious bluegrass sensibility with mainstream country. The fiddle heavy hoedown is spectacular and I love how it blends so easily with the acoustic guitars.
Dolly Parton joins Skaggs with a haunting harmony vocal on Carter and Ralph Stanley’s “Vision Of Mother.” The somewhat disturbing mandolin ballad finds a man seeing a vision of his dead mother preying for him. The song succeeds because of the vivid imagery, although the vocals are a bit too sharp for my tastes.
“I’m Head Over Heels In Love” is a fabulous steel led thumper, in the same vein as Exile’s hits like “Woke Up In Love.” I love the uniquely slick style of the track; it fits Skaggs like a glove. I also enjoy the traditional “A Wound Time Can’t Erase,” another example of modern mid-80s country that a carries a nice dose of twang. Skaggs’ vocal may be a bit too dragged out on some of the notes, leading his voice to sound a bit nasally, but it doesn’t take away from the overall tune.
The other more traditional numbers are also quite strong. “She’s More To Be Pitied” is a fabulous fiddle-led number by Ruby Rakes, while “Keep A Memory” is a wonderful traditional bluegrass tune penned by Carter Stanley. I also love Fred Stryker’s “Don’t Step Over An Old Love,” the best such song among the album tracks. The album closes with “Children Go Where I Send Thee,” an excellent traditional gospel number that’s made all the sweeter thanks to the myriad of harmony vocals.
Overall, Don’t Cheat In Our Hometown is another excellent collection of bluegrass and country tunes and was dedicated to the Stanley Brothers upon its release. While the song selection may not have been as strong as his previous release, it remains timeless thanks to expert musicianship, and remains an essential listen today.
(NOTE: Don’t Cheat In Our Hometown was reissued in 2009 and included a DVD respective. That version can be found easily online.)