In the eight years since Don Williams released My Heart To You he seemed to go comfortably into retirement. His warm baritone and mellow style, indicative of the 1970s and 1980s where he found major success, was far out of touch with the beer chugging and hot girl chasing boys who’d taken over country radio, and induction into the Country Music Hall of Fame aside, there was no real incentive to return.
So it’s a welcome surprise to see And So It Goes, Williams’ new ten-song collection out on Sugar Hill Records. Produced by his longtime wingman Garth Fundis (who should be hard at work on Trisha Yearwood’s next album), it comes across as a visit from an old friend, that never forgotten person from your past who you’re so glad to see again, someone who hasn’t changed a bit.
By sticking to the familiar, Williams has created an impressive collection of songs that perfectly display his distinct and mellow style, all wrapped in his warm baritone (an instrument that hasn’t shown any distinct wear and tear). Each of these songs would also stand up nicely against any of Williams’ classic recordings.
A few even rank among the strongest songs released this year. “I Just Come Here For The Music” a gorgeous duet with Alison Krauss, finds their voices blending effortlessly on a gentle weeper about a man in a barroom for the music, only to find a woman instead. “Hearts of Hearts,” enhanced by Vince Gill’s backing vocal, is a quiet reminder to live from truth and “She’s With Me” is the song every woman wants to hear from their man, a sentiment about true love.
And So It Goes abounds with relationship-centric tunes, from the lasting-love anthem “Infinity” to the out-of-love title track, a Williams co-write. “She’s A Natural” finds Williams pleased by everything his woman does and “Imagine That” finds him pining for a life he can visualize but one that hasn’t yet come true.
All are expertly crafted and treated with the respect they deserve, but framing them in the same mellow, dobro and fiddle heavy production can make the listening experience a bit dense and they tend to run together, hard to distinguish. That more than illuminates “Better Than Today” and “What If It Worked Like That,” noticeable for their driving guitar and use of drums.
“What If It Worked Like That,” is also the biggest breath of fresh air lyrically, somewhat of a sequel to his classic hit “I Believe In You.” He wonders aloud about his ideal version of the world, a place where beer would make a person thin and the world gave a little back after we’ve taken so much.
Both melodically and lyrically, it ranks with “I Just Come Here For The Music” as my favorite tracks on the project, both unique in nature from the rest of the album, and the two that have stuck with me the most.
All and all And So It Goes is another fine collection of songs and a stellar return from Williams, who in just under 36 minutes schools all of us in the creation of authentic and genuine country music. He could’ve, however, stood to vary the tempo a tad more, tapping into his “Tulsa Time” groove on more tracks. A more frequent change of pace would’ve helped the songs sink in deeper and keep from running together.
But nonetheless, this is still one of the top releases from 2012 and a suburb collection of songs.