May 16, 2012
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Marty Stuart’s second release for MCA was released in January 1991. Like its predecessor, Tempted was produced by Richard Bennett and Tony Brown, and contained a balance of some of Marty’s original compositions and some well-chosen covers that paid homage to country music’s past. It is a little less rockabilly-oriented than Hillbilly Rock, with more emphasis on harmonies and more prominent use of the steel guitar.
The first single “Little Things” was written by Marty and Paul Kennerley. It follows the same template as “Hillbilly Rock” and matched that song’s chart performance, peaking at #8. It was, in fact, Marty’s first Top 10 since “Hillbilly Rock” and his second Top 10 overall. He stumbled slightly with the next release, the ballad “Till I Found You”, which was written by Paul Kennerley and Hank DeVito. It just missed the Top 10, peaking at #12. I’ve always found the song a bit lacking in energy and it’s my least favorite track on the album. Much better is the title track, another Stuart-Kennerley composition, which reached #5, becoming Marty’s highest charting single as a solo artist. It is my favorite of all of Marty’s mainstream singles. “Burn Me Down”, a rockabilly number written by Eddie Miller was the album’s fourth and final single. It too reached the Top 10, topping out at #7.
With the exception of the title track, the real meat of this collection is in the album cuts. Most Stuart albums include a Johnny Cash tune, and Tempted is no exception. This time he chose to cover “Blue Train”. It is a decent performance but even those unfamiliar with the original will instantly recognize it as a Johnny Cash song. It just underscores how difficult it can be to put one’s own mark on an iconic figure’s song, though the intent seems to be to pay tribute to Cash, rather than to reinterpret his work. “I’m Blue, I’m Lonesome” which opens the album was written by Bill Monroe and Hank Williams and serves as notice to the listener that Marty Stuart was more than just a mere hillbilly rocker, with a deep respect for country music’s heritage. “Paint The Town Tonight” with its heavy emphasis on the Telecaster and steel guitar is a Stuart original composition that is reminiscent of Buck Owens. It really should have been released as a single. “Half a Heart” is a straightforward country number that is one of two tunes on which Marty collaborated with the then very popular songwriter Kostas. It too should have been released as a single. The album closes with the fiddle-led hoedown number “Get Back To The Country”, which surprisingly was written by Neil Young, a name not normally associated with traditional country music.
Tempted is the best of Marty’s major label efforts, with nine excellent tracks (“Till I Found You” is the only one that falls a bit short) and marks the peak of commercial success. It was his second gold album and the most well received by country radio. It is his only album to contain more than one Top 10 hit. Unfortunately, after “Burn Me Down” he would never again reach the Top 10 as a solo artist, although two collaborations with Travis Tritt did chart inside the Top 10. Tempted is easy to find and worthy of inclusion in any country music fan’s collection.