Moe Bandy. If ever there was a name appropriate for a country singer, a western singer or a rodeo rider, Moe Bandy would be it. Moreover, Moe would fit all three categories and was elected to the Texas Rodeo Hall of Fame in 2007.
Emerging during a time when the “Nashville Sound”, the dominant sound of the prior decade and a half, was on the decline and the so-called “Outlaw” movement was on the rise, somehow, Moe Bandy would emerge on GRC records sliding through the cracks to produce some of the finest hard-core country music of its time, music with true honky-tonk heart and soul. After a few albums Moe would leave GRT and sign with giant label Columbia and the Nashville establishment would eventually absorb his music back into the mainstream, but before it did, he produced some of the most glorious country music imaginable
Marion Franklin Bandy, Jr.was born on February 12, 1944 in Meridian, Mississippi, the hometown of the legendary “Blue Yodeller” Jimmie Rodgers. The nickname Moe was given to him by his father. Moe’s grandfather, like Jimmie Rodgers, was a railroad man who, at one time, was reputed to him been Jimmie Rodger’ boss in the railway yard in Meridian. When Moe was only six years old, his family moved to San Antonio, Texas. His mother played piano and sang and his father played the guitar by his father.
As a teen Moe occasionally played with his father’s country band, the Mission City Playboys, but Moe didn’t turn to music professionally until first trying his hand at rodeo - by the age of 16, he was competing in rodeos all over Texas. After a few years of bumps and bruises, Moe’s better sense prevailed and he turned to music for a living working some nights with his father’s band and some nights at whatever venues he could arrange while working days doing sheet metal work. During the early 1970s he formed a group called Moe and the Mavericks.
In 1972 Moe caught his big break when some demos he had recorded came to the attention of record producer Ray Baker. In 1973 Ray suggested that Moe come to Nashville. Bandy scraped together the money for a recording session and recorded a song called “I Just Started Hatin’ Cheatin’ Songs Today”. Initially released on Footprint Records, the record came to the attention of larger independent GRC which was based in Atlanta. In March 1974, it entered the US country charts, eventually peaking at #17 on Billboard and #6 on Cashbox . Four more hits followed: “Honky Tonk Amnesia” (#24 BB / #20 CB), “It Was Always So Easy To Find An Unhappy Woman” (#7BB & CB), “Don’t Anyone Make Love At Home Anymore” (#13 BB / #11 CB), and the Lefty Frizzell-penned “Bandy The Rodeo Clown” (#7 BB #2 CB).
Moe Bandy would release three albums on GRC, I Just Started Hating Cheatin’ Songs Today, It Was Always So Easy (To Find An Unhappy Woman) and Bandy The Rodeo Clown, all filled with strong lyrics and simple arrangements of hard-core honky-tonk music. When first released, they made everything else being released at the time, including the “back to the basic” outlaw music of Waylon and Willie, seem overproduced in comparison.
With as much success as Moe was having with GRC, it was inevitable that a major label would eventually hook up with Moe, and in 1975 Moe Bandy landed on Columbia. The first few albums retained the hard-core sound but as time passed Moe and his producer Ray Baker softened up Moe’s sound somewhat, although it would remain reasonably honky-tonk during the entirety of the Columbia years. Since Columbia purchased Moe’s GRC recordings, the first hit collection released on Columbia , 1977’s The Best of Moe Bandy was mostly GRC material.
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