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- Paul W Dennis on Week ending 5/18/13: #1 singles this week in country music history
- Occasional Hope on Week ending 5/18/13: #1 singles this week in country music history
- Occasional Hope on Album Review: Vern Gosdin – Late & Great: The Voice
- Ron Oates on Album Review: Vern Gosdin – Late & Great: The Voice
- Luckyoldsun on Album Review: Aaron Tippin – ‘Tool Box’
- Pistol Annies are pro songwriters | canada.com on Album Review: Pistol Annies – ‘Annie Up’
- Gene Owen on “Remember country music?” – An Evening with Emmylou Harris and Rodney Crowell at Birmingham Symphony Hall, Friday 10 May 2013
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I like this song, partly because of the acoustic-based production, but I wouldn’t call it the best thing Brad’s ever done, and I agree that it bears a strong similarity to “Letter to Me.”
It’s not bad, but not terribly interesting, and as you say not remotely original.
OK ..The goal is to make an album the public likes and will purchase …correct? (otherwise why release it?) And part of your job as a reviewer is to help music fans make informed decisions about music worthy of their hard earned money .right?
Since you think Jamey Johnson’s work has an “edge” and Brad Paisley’s is “artistically lazy” and is a “focus group-driven product” then I have a suggestion. After looking at recent sales for both artists you (and Jamie’s label) might want to reconsider some of that that focus group stuff….looks like its working!
There was a discussion this week on The 9513 about equating chart success with quality. You might want to give it a glance:
http://www.the9513.com/size-doesnt-matter/
It’s not a reviewer’s job to be a part of a focus group. We don’t care about focus groups.